December 14, 2025
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Kis Kisko Pyaar Karoon 2 Movie Review: A Massy, Light‑Hearted Laugh Riot That Doesn’t Take Itself Too Seriously

Cinema lovers have always had a special place in their hearts for lighthearted comedies that offer unabashed laughter, quirky characters, and just‑for‑fun entertainment. Kis Kisko Pyaar Karoon 2 continues this tradition, reaffirming that a silly premise, when executed with confidence and comic timing, can still make for an enjoyable viewing experience. Led by Kapil Sharma, a comedian best known for his wry wit and infectious humor, the film promises a roller‑coaster of laughs, confusion, and comedic chaos.

In this extensive review, we’ll explore how Kis Kisko Pyaar Karoon 2 performs across its story, screenplay, performances, technical aspects, and overall impact. We’ll also reflect on what works, what doesn’t, and why, despite its flaws, the movie succeeds as a mass entertainer.

Star Cast and Their Charm

Before diving into the narrative, it’s worth spotlighting the film’s ensemble:

  • Kapil Sharma as Mohan Sharma/Mehmood/Michael – the confused husband
  • Hira Warina as Sania – Mohan’s first love interest
  • Ayesha Khan as Ruhi – first accidental wife
  • Tridha Choudhary as Meera – second unintended wife
  • Parul Gulati as Jenny – third unexpected spouse
  • Manjot Singh – comic relief and friend
  • Sushant Singh as Inspector David D’Costa
  • Vipin Sharma, Akhilendra Mishra, Smita Jayakar – seasoned supporting cast

From the outset, the casting signals exactly what the film intends to be: a goofy, unabashed comedy with zero pretensions but a clear desire to entertain.

Story and Synopsis: A Marital Juggle Begins

At its heart, Kis Kisko Pyaar Karoon 2 tells the bewildering story of Mohan Sharma — a simple man from Bhopal who runs a restaurant and dreams of marrying Sania. But, as life would have it, fate takes him on a ludicrous path where he ends up married — not once, not twice — but thrice.

Here’s a quick breakdown of the plot:

  • Mohan is in love with Sania and wants to get married.
  • Sania’s father, Mirza, objects to Mohan’s religion, prompting Mohan to convert to Islam and adopt the name Mehmood.
  • His gesture impresses Mirza, but before long, Mohan wakes up married to a mysterious woman named Ruhi.
  • Things grow stranger when Mohan finds himself married to Meera too.
  • To top it off, a Goa trip leads him to assume the identity of Michael, resulting in a third marriage with Jenny.
  • Meanwhile, Sania mysteriously goes missing.
  • As Mohan juggles three bewildered wives and tries to hide his chaotic situation, Inspector David D’Costa adds further confusion with his own investigations.

What follows is a series of laughable misunderstandings, double identities, and comic confrontations that form the backbone of this madcap adventure.

Story Review: Entertaining Yet Slightly Underwritten

The writer, Anukalp Goswami, delivers a storyline that is unabashedly loud, silly, and in many places thoroughly entertaining. There is a reason audiences enjoy comedies: they offer an escape from the mundane. And in that regard, this film largely succeeds.

What Works

  • Conceptual audacity: The idea of one man inadvertently marrying three women is so outrageous that it immediately sets the tone for absurd comedy. It is not highbrow cinema — and it never tries to be.
  • Comic timing: Many scenes elicit genuine laughter, driven by situational humor and Kapil Sharma’s natural flair for comic delivery.
  • Simple direction: Despite the complex web of weddings and identities, the narrative remains easy to follow — a testament to the director’s clean storytelling.

What Falls Short

  • Underexplained details: Certain plot points confuse rather than amuse. For example, Sania goes missing, yet her family hardly shows concern. Such gaps weaken logical consistency, even within a slapstick framework.
  • Missed opportunities: The first Kis Kisko Pyaar Karoon provided reasons for the protagonist’s absence from home. Here, the wives never question Mohan’s long disappearances, making their character reactions feel underwritten.

In short, the story thrives on comic chaos but sometimes fails to justify its own absurdity in a way that feels cohesive throughout.

Direction & Screenplay: Light‑Hearted but Uneven

Anukalp Goswami’s direction leans toward simplicity, ensuring the audience never feels lost, even as Mohan jumps from identity to identity. This clarity is essential in a movie with such a convoluted premise.

Direction Highlights

  • Pacing: The film maintains a brisk pace, thanks to clean scene transitions and limited drag time — crucial for keeping the humor alive.
  • Comic structure: The screenplay is filled with punchlines and situations designed to make the audience laugh. For a mass audience, especially those seeking pure entertainment, this works well.

Limitations

  • Uneven writing: Some scenes feel underdeveloped — particularly when emotional anchoring might have added depth to the comedy.
  • Weak subplots: Certain character arcs, like Sania’s disappearance or Meera’s motivations, feel glossed over, leaving audience curiosity unfulfilled.

Ultimately, the film is what it sets out to be: a brain‑off comedy. But even within that space, a bit more finesse in writing would have elevated it to a more memorable experience.

Performances: Kapil Sharma Anchors the Madness

Kapil Sharma – A Naturally Comic Hero

As Mohan (and his alternate personas Mehmood and Michael), Kapil Sharma is in his element. The role fits him perfectly — a blend of innocence, flustered expression, and comic vulnerability that only he could pull off with such ease. Kapil carries the film. He is relatable, earnest in his performance, and genuinely funny without seeming forced.

Supporting Cast: Standouts and Highlights

  • Manjot Singh brings energy and an added layer of comic chaos.
  • Tridha Choudhary, with the most screen time among the female leads, brings charm and presence to her role as Meera.
  • Hira Warina, Parul Gulati, and Ayesha Khan do decent jobs, adding freshness to the ensemble without overshadowing the narrative.
  • Sushant Singh as Inspector David D’Costa is delightfully placed, offering both continuity and confusion in equal measure.

Seasoned performers like Vipin Sharma, Akhilendra Mishra, Smita Jayakar, and others fill out the backdrop with experienced support. Each contributes to the laughs and adds a layer of balance to the performances. Special mention goes to Jamie Lever and Jimmy Moses, who bring additional comic flair, and the late Asrani, who offers warm and humorous charm. Kapil’s real‑life wife, Ginni Kapil Sharma, also makes a lovely cameo.

Overall, the cast performs very well — they enhance the script and ensure the humor lands effectively.

Music & Technical Aspects: Adequate but Unremarkable

Music Score and Songs

Unfortunately, the soundtrack for Kis Kisko Pyaar Karoon 2 does not stand out:

  • ‘Phurrr’ is the most memorable among the tracks, with a peppy vibe that suits the mood.
  • ‘Aaja Hulchul Karenge’ is fun but feels forced within the narrative.
  • ‘Ranjhe Nu Heer’ and ‘Har Safar Mein’ fail to leave a lasting impression.

The soundtrack rarely rises above functional. In a comedy, music is not the centerpiece — but stronger numbers could have added flavor.

Technical Crew Contributions

  • Cinematography (Ravi Yadav): Satisfactory and serviceable. It captures scenes with clarity and supports the film’s upbeat tone.
  • Production Design (Ashok Lokare, Rucha Mayekar): Bold and loud — fitting for a comedy of this nature, though occasionally exaggerated.
  • Costumes (Ginni Kapil Sharma, Naahid Shah): Well‑matched to characters and locales.
  • Editing (Hussain A Burmawala): Brisk and engaging. The narrative never stagnates, though a tighter trim on the musical sequences would improve overall momentum.
  • Action (Abbas Ali Moghul): Functional and fitting, though not a highlight.

The technical elements support the film effectively without elevating it to an artistic benchmark — which, in this genre, is acceptable.

Themes & Takeaways

Kis Kisko Pyaar Karoon 2 does not attempt to deliver a profound message or social commentary. Instead, it explores:

  • The chaos of romantic confusion
  • The hilarity of mistaken identities
  • How even the most absurd situations can lead to unexpected comedy
  • The balance between traditional identity and modern relationships

The film revels in absurdity, intentionally exaggerating situations for laughs rather than logic.

Audience Appeal: Who Will Love It?

This film is tailor‑made for:

  • Fans of Kapil Sharma and his brand of comedy
  • Viewers seeking clean, family‑friendly humor
  • Audiences who enjoy broad slapstick and situational comedy
  • Those nostalgic for madcap 90s comedy vibes

If you are expecting serious cinema, tight writing, or strong emotional arcs, this is not the film. But if you want to unwind and laugh, particularly with family or friends, it delivers in many moments.

Criticisms and Limitations

  • Weak character logic — how the wives never question Mohan’s long absences
  • Underutilized emotional depth — especially in subplots involving Sania
  • Music that does not elevate the narrative
  • Overreliance on chaos over cohesive storytelling

These weaknesses will not ruin the experience, but they place the film firmly in the “fun but forgettable” category for serious reviewers.

Final Verdict: Fun, Flawed, and Enjoyable

On the whole, Kis Kisko Pyaar Karoon 2 is a light‑hearted, massy laugh riot that channels the spirit of 90s slapstick comedies. It is not revolutionary or flawless, but:

  • The humor lands more often than not.
  • Kapil Sharma is in top comic form.
  • It remains clean, family‑friendly, and enjoyable.
  • The chaotic premise never becomes confusing for the audience.

Its release alongside larger films like Dhurandhar may limit its box office impact, but its fate will likely depend on strong word of mouth, especially from Kapil’s loyal fanbase and families seeking easy entertainment.

In essence:

  • Pleasant and funny
  • Strong lead performance
  • Entertaining script with moments of genuine laughter
  • Not deeply memorable
  • Weak soundtrack

Final Rating: 3/5

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